Though your song be good,
Nature can do it better,
Be quiet; listen
"Lay Down Your Weary Tune" isn't like any other Bob Dylan song, at least the way I hear it. The song was recorded in 1963 for the album "The Times They Are a-Changin'," but was left off the cut. It appears on the 1985 box set compilation "Biograph." I read on Wikipedia that Dylan said he was trying to capture the feeling of a Scottish ballad that he heard on an old 78-rpm record. I can see that. Rather than striving for the surreal, he pursues a sound of natural beauty, to use Neil Young's term from the "Harvest Moon" album, that he tries to convey with guitar and voice. I hear the sound of waterfalls and wind in the trees, waves on the beach and the rhythms of the universe, especially in Dylan's use of alliteration and the pairing of words that don't necessarily go together -- the "strength of strings," for example. Have a look. It makes me think a little of William Wordsworth, or even Henry Wadsworth Longfellow with Hiawatha on the Gitche Gumee:
Lay down your weary tune, lay down
Lay down the song you strum
And rest yourself ’neath the strength of strings
No voice can hope to hum
(This verse forms a chorus after each of the next verses)
Struck by the sounds before the sun
I knew the night had gone
The morning breeze like a bugle blew
Against the drums of dawn
The ocean wild like an organ played
The seaweed’s wove its strands
The crashin’ waves like cymbals clashed
Against the rocks and sands
I stood unwound beneath the skies
And clouds unbound by laws
The cryin’ rain like a trumpet sang
And asked for no applause
The last of leaves fell from the trees
And clung to a new love’s breast
The branches bare like a banjo played
To the winds that listened best
Nature can do it better,
Be quiet; listen
"Lay Down Your Weary Tune" isn't like any other Bob Dylan song, at least the way I hear it. The song was recorded in 1963 for the album "The Times They Are a-Changin'," but was left off the cut. It appears on the 1985 box set compilation "Biograph." I read on Wikipedia that Dylan said he was trying to capture the feeling of a Scottish ballad that he heard on an old 78-rpm record. I can see that. Rather than striving for the surreal, he pursues a sound of natural beauty, to use Neil Young's term from the "Harvest Moon" album, that he tries to convey with guitar and voice. I hear the sound of waterfalls and wind in the trees, waves on the beach and the rhythms of the universe, especially in Dylan's use of alliteration and the pairing of words that don't necessarily go together -- the "strength of strings," for example. Have a look. It makes me think a little of William Wordsworth, or even Henry Wadsworth Longfellow with Hiawatha on the Gitche Gumee:
Lay down your weary tune, lay down
Lay down the song you strum
And rest yourself ’neath the strength of strings
No voice can hope to hum
(This verse forms a chorus after each of the next verses)
Struck by the sounds before the sun
I knew the night had gone
The morning breeze like a bugle blew
Against the drums of dawn
The ocean wild like an organ played
The seaweed’s wove its strands
The crashin’ waves like cymbals clashed
Against the rocks and sands
I stood unwound beneath the skies
And clouds unbound by laws
The cryin’ rain like a trumpet sang
And asked for no applause
The last of leaves fell from the trees
And clung to a new love’s breast
The branches bare like a banjo played
To the winds that listened best
Hello Robert, Lay Down Your Weary ways and come inside Bob Dylan's Music Box http://thebobdylanproject.com/Song/id/348/Lay-Down-Your-Weary-Tune and listen to some great classic versions now.
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